
The Parabiosis of Art and Technology
Borrowing a term from experimental biology, we tend to talk about art and AI as a seamless fusion. Inside the studio and the visual cortex, the reality is far more uneasy.

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Borrowing a term from experimental biology, we tend to talk about art and AI as a seamless fusion. Inside the studio and the visual cortex, the reality is far more uneasy.

From 200 million NASA photographs to a 25,000-square-foot Frank Gehry space in Los Angeles, Refik Anadol is betting that algorithmic pigment belongs in permanent museum walls.

Sieb Fothers' 15-minute BTCX file 373 retells creation as a farm: gods who plant us, harvest us, and one son who teaches us to fight back.

Kenneth Shock has ALS and a Neuralink implant. He used them, plus Suno and Claude, to make Claudia's ALLOW ALWAYS, a spy-pop warning about saying yes.

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